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lunes, abril 14, 2008
MONADS
PURPLE AND CREAM DOUBLE MONAD AURORAS
PURPLE AND CREAM DOUBLE MONAD AURORAS
viernes, abril 11, 2008
SHAKTI - GANESHA
Orissa, probably from Konarak
13th Century AD
(That is what the sign said - but I had problems spotting 5 heads!)
SHAKTI - GANESHA
HINDU DEITIES
The devas (also called devatās) constitute an integral part of the colorful Hindu culture. These various forms of God are depicted in innumerable paintings, statues, murals, and scriptural stories that can be found in temples, homes, businesses, and other places. In Hinduism the scriptures recommend that for the satisfaction of a particular material desire a person may worship a particular deity. For example, shopkeepers frequently keep a statue or picture of the devi Lakshmi in their shops. The elephant-headed deva known as Ganesha is worshipped before commencing any undertaking, as he represents God's aspect as the remover of obstacles. Students and scholars may propitiate Saraswati, the devi of learning, before taking an exam or giving a lecture.
http://en.wikipedia.org/wiki/Hindu_deities
HINDU DEITIES
SHAKTI
Shakti meaning sacred force, power or energy is the Hindu concept or personification of the divine feminine aspect, sometimes referred to as 'The Divine Mother'. Shakti represents the active, dynamic principles of feminine power. In Shaktism, Shakti is worshiped as the Supreme Being. However, in other Hindu traditions, Shakti embodies the active energy and power of male deities (Purushas), such as Vishnu in Vaishnavism or Shiva in Shaivism. Vishnu's shakti counterpart is called Lakshmi, with Parvati being the female shakti of Shiva.
Cargado el 13 de julio, 2007 por Shadya_
http://en.wikipedia.org/wiki/Shakti
SHAKTI
VISHNU WITH HIS CONSORTS LAKSHMI AND SARASVATI
The Vishnu Sahasranama describes Vishnu as the All-Pervading essence of all beings, the master of and beyond the past, present and future, the creator and destroyer of all existences, one who supports, sustains and governs the Universe and originates and develops all elements within.
In the Puranas, Vishnu is described as being the color of clouds (dark-blue), four-armed, holding a lotus, mace, conch and chakra (wheel). Vishnu is also described in the Bhagavad Gita as having a 'Universal Form' (Vishvarupa) which is beyond the ordinary limits of human sense perception .
It is also within the Puranas that the information regarding Vishnu's avatars is given. Nine of these avatars, or 'incarnations' are described as having occurred in the past, with one still to happen at the end of Kali Yuga. The Bhagavad Gita mentions their purpose as being to rejuvenate Dharma and vanquish negative forces. In virtually all the Sanatana Dharma traditions, Vishnu is worshipped, either directly or through avatars such as Rama, Krishna, Varaha and Narasimha.
In the Trimurti, Vishnu is responsible for the maintenance or 'preservation' of the Universe, with the other roles of creation and destruction being under the care of Brahma and Shiva, respectively.
http://en.wikipedia.org/wiki/Vishnu
VISHNU WITH HIS CONSORTS LAKSHMI AND SARASVATI
BRAHMA ASCENDING
Brahma Ascending, originalmente cargada por Kenny Maths.
According to the Puranas, Brahma is self-born (without mother) in the lotus flower which grew from the navel of Vishnu at the beginning of the universe. This explains his name Nabhija (born from the navel). Another legend says that Brahmā was born in water. In this he deposited a seed that later became the golden egg. From this golden egg, Brahma the creator was born, as Hiranyagarbha. The remaining materials of this golden egg expanded into the Brahm-anda or Universe. Being born in water, Brahmā is also called Kanja (born in water). Brahmā is said also to be the son of the Supreme Being, Brahman and the female energy known as Prakrti or Maya.
http://en.wikipedia.org/wiki/Brahma_%28god%29
BRAHMA ASCENDING
STAIRS
STAIRS
martes, abril 08, 2008
THE KHMER APSARA
Apsaras are supernatural beings: they appear as young women of great beauty and elegance who are proficient in the art of dancing.
They are the wives of the Gandharvas, court servants of Indra. They dance to the music made by their husbands, usually in the palaces of the gods, and entertain gods and fallen heroes.
In their assignment as caretakers of fallen heroes, they may be compared to the valkyries of Norse mythology. Apsaras are said to be able to change their shapes at will, and specially rule over the fortunes of gaming and gambling. Urvasi, Menaka, Rambha and Tilottama are the most famous among them. Apsaras are sometimes compared to the muses of ancient Greece, with each of the 26 Apsaras at Indra's court representing a distinct aspect of the performing arts.
Apsaras are associated with water; thus, they may be compared to the nymphs, dryads and naiads of ancient Greece. They are also associated with fertility rites. In Hinduism, the lower Apsaras are sometimes regarded as nature spirits who may lure men to their deaths; in this respect they may be compared to the Slavic Rusalki or the Greek sirens.
http://en.wikipedia.org/wiki/Apsaras
THE KHMER APSARA
KATHAKAARS
Kathakaars are a group of young dancers dedicated to exploring the Indian classical Kathak tradition in the UK.
Kathak's journey from past to present and towards the future was once described to me as a great river. Since the inception of its ancient roots, this dance style from the Northern regions of India has run towards us from the past, always allowing its flow to absorb the passing currents and obstacles of the changing terrains through history. Never losing the pure storytelling purpose of its birth, Kathak has always included rather than excluded what the riverbanks of shifting environments, patrons, and audiences has offered it. Like this, the river of Kathak has been able to survive, growing increasingly beautiful and powerful through the centuries. -- Natalia Candelaria Armacanqui Hildner
http://www.capitalcityhues.com/091907NataliaArmacanqui.htmlKATHAKAARS
SPIRITUAL AND PHYSICAL LOVE
The mythological romance of Radha and Krishna is the epitome of real Love and they symbolized lovemaking beyond any bounds and barriers.
SPIRITUAL AND PHYSICAL LOVE
WARRIOR
warrior, originalmente cargada por hinton.jennie.
Eagle and Jaguar warriors
http://en.wikipedia.org/wiki/Aztec_warfare
WARRIOR
lunes, abril 07, 2008
THE DOCTOR
The Doctor
Main article: Doctor (Doctor Who)
The ten faces of the Doctor.
(Middle) Tom Baker, Peter Davison, Colin Baker, Sylvester McCoy
(Bottom) Paul McGann, Christopher Eccleston, David TennantThe character of the Doctor was initially shrouded in mystery. All that was known about him in the programme's early days was that he was an eccentric alien traveller of great intelligence who battled injustice while exploring time and space in an unreliable old time machine called the TARDIS, an acronym for Time And Relative Dimension(s) In Space. The TARDIS is much larger on the inside than on the outside and, due to a malfunction of its Chameleon Circuit is stuck in the shape of a 1950s-style British police box.
However, not only did the initially irascible and slightly sinister Doctor quickly mellow into a more compassionate figure, it was eventually revealed that he had been on the run from his own people, the Time Lords of the planet Gallifrey.
As a Time Lord, the Doctor has the ability to regenerate his body when near death. Introduced into the storyline as a way of continuing the series when the writers were faced with the departure of lead actor William Hartnell in 1966, it has continued to be a major element of the series, allowing for the recasting of the lead actor when the need arises.
THE DOCTOR
HINTON LABYRINTH - SPIRITUAL JOURNEY
On October 17 the Hinton Center Board of Directors dedicated the new Hinton labyrinth. The labyrinth was made possible by the family of Clarence and Vallie Staten who were long term neighbors of Hinton and who served on the Hinton board during the early years of Hinton's development.
A labyrinth is a pattern: usually a large circle, with a single winding path that you walk to the center, and then walk the same path back out. Wallking the path of the labyrinth is a symbol for the journey of life. It is a tool for reflection, meditation, prayer, problem solving and personal growth. A labyrinth is not a maze because it does not have any dead end paths. Christians have used labyrinths for many centuries as a walking meditation and a path of prayer. The labyrinth in the floor of Chartres Cathedral in France has been used for over 800 years.
The Hinton labyrinth is open to the community. Everyone is welcome to come and see and walk. You will see signs directing you to the labyrinth as you enter the Hinton parking lot.
HINTON LABYRINTH - SPIRITUAL JOURNEY
sábado, abril 05, 2008
WHEN LOVE COMES TO TOWN
WHEN LOVE COMES TO TOWN
viernes, abril 04, 2008
HAPPINESS :)
Orange combines the energy of red and the happiness of yellow. It is associated with joy, sunshine, and the tropics. Orange represents enthusiasm, fascination, happiness, creativity, determination, attraction, success, encouragement, and stimulation.
Orange is used to symbolically represent the second (Swadhisthana) chakra.
The complementary colour of orange is azure, a slightly greenish blue.
Orange pigments are largely in the ochre or cadmium families, and absorb mostly blue light.
Orange increases oxygen supply to the brain, produces an invigorating effect, and stimulates mental activity.
HAPPINESS :)
BLACK HOLE
An artist view taken from the Hubble Space Telescope website showing an accretion disk around the black hole. The friction from the gas generates a massive amount of heat. The heated gas emits X-rays।
If ultra-high-energy collisions of particles in a particle accelerator can create microscopic black holes, it is expected that all types of particles will be emitted by black hole evaporation, providing key evidence for any grand unified theory. Above are the high energy particles produced in a gold ion collision on the RHIC।
http://en.wikipedia.org/wiki/Black_hole
BLACK HOLE
jueves, abril 03, 2008
ARTE HUICHOL
The Ojo de Dios or Eye of God is a ritual tool, magical object and cultural symbol evoking the weaving motif and its spiritual associations. For the Huichol peoples of northwestern Mexico, The God's Eye is symbolic of the power of seeing and understanding that which is unknown and unknowable, The Mystery. The four points represent the elemental processes earth, fire, air, and water.
The Ojo de Dios, or God's Eye, is a simple or complex weaving made across two or more sticks and is thought to have originated with the Huichol Indians of Jalisco, Mexico. The Huichol call their God's eyes Sikuli, which means "the power to see and understand things unknown." When a child is born, the central eye is woven by the father, then one eye is added for every year of the child's life until the child reaches the age of five. Original Huichol Crosses are extremely rare to come by. There are many that are being made for the tourist market, but they do not carry the same traditional and spiritual significance.
In traditional Huichol communities, an important ritual artefact is the nieli'ka: a small square or round tablet with a hole in the center covered on one or both sides with a mixture of beeswax and pine resin into which threads of yarn are pressed. Nieli'kas are found in most Huichol sacred places such as house shrines (xiriki), temples, springs and caves.http://en.wikipedia.org/wiki/God%27s_eye
http://en.wikipedia.org/wiki/Huichol
ARTE HUICHOL
MUSEO DE LA PACHAMAMA
Los pueblos de los valles calchaquíes fueron dominados por los Incas.
Para ellos "Inti" era el dios del sol y "Huasi" la luna. De la unión de INTI y HUASI nació el primer Inca que se supone fue Huaricocha.
MUSEO DE LA PACHAMAMA
PACHAMAMA

Review: James Lovelock, The Vanishing Face of Gaia: A Final Warning
Sounds nice, doesn't it? But this isn't really a "hypothesis" at all: it's just a highfalutin' way of saying we shouldn't cut down so many trees and we shouldn't burn so much coal. The problem with Lovelock's theory is that he presents it as a scientific position, when really it's not even cargo cult stuff: Gaia is a perfectly pleasant metaphor for the dangers of abusing the natural world, but to posit his "cybernetic system" as a serious theory is to invite ridicule.
Perhaps realising - as James Hansen surely now does, if only privately - that the planet might just make it through the twenty-first century intact after all, Lovelock has switched focus in his new book. Now it's only humanity that's at risk. The planet will look after itself. All that saving the planet stuff was just a sales pitch: what we really need to be doing is saving the human race......
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Pachamama is a goddess revered by the indigenous people of the Andes. Pachamama is usually translated as "Mother Earth" but a more literal translation would be "Mother Universe" (in Aymara and Quechua mama = mother / pacha = world, space-time or the universe) [1]. Pachamama and Inti are the most benevolent deities and are worshiped in parts of the Andean mountain ranges, also known as Tawantinsuyu (stretching from present day Ecuador to Chile and Argentina).
In Inca mythology, Mama Pacha or Pachamama is a fertility goddess who presides over planting and harvesting. She causes earthquakes. Her husband was either Pacha Camac or Inti, depending on the source. Llamas are sacrificed to her. After conquest by Catholic Spain her image was masked by the Virgin Mary, behind whom she is invoked and worshiped in the Indian ritual, in some parts of Argentina, Chile, Bolivia and Peru (Merlino y Rabey 1992).
Since Pachamama is a "good mother", people usually toast to her honor before every meeting or festivity, in some regions by spilling a small amount of chicha on the floor, before drinking the rest. This toast is called "challa" and it's made almost everyday. Pachamama has a special worship day called "Martes de challa" (Challa's Tuesday) where people bury food, throw candies, burn incense. In some cases, celebrants assist traditional priests called "yatiris" in ancient rites to bring good luck or the good will of the goddess, such as sacrificing guinea pigs or burning llama fetuses (although these last two are no longer very common). The festival is after carnival and one day before the Catholic "miércoles de ceniza" (Ash Wednesday).
The central ritual to Pachamama is the Challa or Pago (Payment). It is carried out during all the month of August, and in many places also the first Friday of each month. Other ceremonies are carried out in special times, as upon leaving for a trip or upon passing an apacheta. According to Mario Rabey and Rodolfo Merlino, Argentine anthropologists who studied the Andean culture since the decades from 1970 to that of 1990, "the most important ritual is the challaco. Challaco is a deformation of the quechua words 'ch'allay' and 'ch'allakuy', that refer to the action to insistently sprinkle (Lira 1941: 160 y 161). In the current language of the peasants of the southern Central Andes, the word 'challar' is used like a synonym of 'to feed and to give drink to the land'. The challaco, just as is practiced in the studied area (Merlino y Rabey 1983: 153-155), covers a complex series of ritual steps that begin in the family dwellings the night of the eve, during which cooks a special food, the tijtincha, and that culminate in an eye of water or the beginning of a ditch where is carried out the main ritual to the Mother Earth, with a series of tributes that include food, beverage, leaves of Coca and cigars" (Rabey y Merlino 1988).
The religion centered in the Pachamama is practiced currently in parallel form to the Christianity, to the point such that many families are simultaneously Christian and pachamamistas (Merlino y Rabey 1983).
http://en.wikipedia.org/wiki/Pachamamahttp://www.wunderground.com/blog/sebastianjer/comment.html?entrynum=119
PACHAMAMA
miércoles, abril 02, 2008
MIRACLE STAIRCASE
In 1878 an unknown carpenter made an amazing staircase little is known of this mysterious man, many think it was Joseph..........
De: whitefeathers83
MIRACLE STAIRCASE
BLUE TANGO JAZZ :)
Jazz is an American musical art form which originated around the beginning of the 20th century in African American communities in the Southern United States from a confluence of African and European music traditions. The style's West African pedigree is evident in its use of blue notes, call-and-response, improvisation, polyrhythms, syncopation, and the swung note of ragtime.
http://en.wikipedia.org/wiki/Jazz
BLUE TANGO JAZZ :)
NAGUAL
http://monismo-contemporaneo.blogspot.com/
(pronounced nah-wa'hl)
Nagual in the works of Castaneda
NAGUAL
MEXICAN SKY
Mexican SKY, originalmente cargada por Luis Montemayor.
The light from the sky is a result of the scattering of sunlight, which results in a light blue color perceived by the human eye. On a sunny day Rayleigh Scattering gives the sky a blue gradient — dark in the zenith, light near the horizon. Light that comes in from overhead encounters an air mass 1/38th of the mass that of a sunbeam coming along a horizon paths. So, fewer particles scatter the zenith sunbeam, and, therefore the light remains a darker blue.
The sky can turn a multitude of colors such as red, orange and yellow (especially near sunset or sunrise) and black at night. Scattering effects also partially polarize light from the sky.
Sky luminance distribution models have been recommended by the International Commission on Illumination (CIE) for the design of daylighting schemes. Recent developments relate to “all sky models” for modelling sky luminance under weather conditions ranging from clear sky to overcast.
MEXICAN SKY
SHAMAN
Shaman, originalmente cargada por Spirit of Boz.
Some anthropologists and religious scholars define a shaman as an intermediary between the natural and spiritual world, who travels between worlds in a state of trance. Once in the spirit world, the shaman would commune with the spirits for assistance in healing, hunting or weather management. Ripinsky-Naxon describes shamans as, “People who have a strong interest in their surrounding environment and the society of which they are a part.”
http://en.wikipedia.org/wiki/Shaman
SHAMAN
THE NAND OF POSEIDON
This article is about the Greek god. For other uses, see Poseidon (disambiguation).
In Greek mythology, Poseidon (Greek: Ποσειδῶν; LatinRoman Name Neptune: Neptūnus) was the god of the sea, as well as of horses, and as "Earth-Shaker," of earthquakes. The name of the sea-god Nethuns in Etruscan was adopted in Latin for Neptune in Roman mythology; both were sea gods analogous to Poseidon. Linear B graffiti show that Poseidon was venerated at Pylos and Thebes in pre-Olympian Bronze Age Greece, but he was integrated into the Olympian gods as the brother of Zeus and Hades. Poseidon has many children. There is a Homeric hymn to Poseidon, who was the protector of many Hellenic cities, though he lost the contest for Athens to Athena. Poseidon was given a trident during the war of the Titans and the gods. He fought alongside his siblings. The war lasted 10 years. After the war the gods divided the earth among themselves. Zeus took the sky, Poseidon took the sea, and Hades took the underworld. Although Poseidon, unlike Hades, had a throne on Mt. Olympus, he liked to stay underwater in his palace with his queen Amphitrite.
http://en.wikipedia.org/wiki/Poseidon
THE NAND OF POSEIDON
LUIS ROYO - METAPHYSICS (STUDY)
Luis Royo (born in 1954 in Olalla, Spain) is a Spanish artist, known for his darkly sensual paintings of women and mechanical life forms. He has also recently started doing sculptures of some of his earlier art.
He was born in Olalla, a small town near Teruel, Spain. He has produced many paintings for his own books/exhibitions, and has also produced art for various other media: videogames, CD album covers, comic book covers, and Tarot cards.
He is most famous for his work doing illustrations of Julie Strain for the animated movie Heavy Metal.
Soon after he was born, Royo's family moved to Zaragoza, where he first attended school, and where his first memories come from, with drawing already playing a prominent part of his life. In his first memory, he is sitting in front of the large school windows, and tracing the drawings that his teacher gave him.
His practical side, which he acquired from his family, led him to study Technical Drawing for Construction. He soon discovered that geometric forms did not completely satisfy him.
He began to study painting, decoration and interior design in the Industrial School and the School of Applied Arts, and he combined this with different jobs in interior design and decoration studios in 1970 and 1971.
During this time he also combined his employment activity with painting. Influenced by the student uprisings of May 1968 he made large format paintings with social themes, which he exhibited in group shows between 1972 and 1976, followed by a series of individual exhibitions in 1977.
On discovering adult comics with the work of artists such as Enki Bilal and Moebius, in 1978 he began to draw comic strips for different fanzines and he exhibited in the Angoulême Comic Fair in 1980.
In 1979 he left his jobs in the decoration studios, despite now having a son, to dedicate himself entirely to comics. In 1981 and 1982 his work was published in magazines such as 1984, Comix international, Rambla and, occasionally, in El Víbora and Heavy Metal.
LUIS ROYO - METAPHYSICS (STUDY)
METAPHYSICS
metaphysics copy, originalmente cargada por ultramarineblue71.
One of the first metaphysicians is Parmenides of Elea. He held that the multiplicity of existing things, their changing forms and motion, are but an appearance of a single eternal reality (“Being”), thus giving rise to the Parmenidean principle that “all is one.”
METAPHYSICS
MASK
“Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth.”
MASK
KITTY QUEEN
Cats have been kept by humans since at least ancient Egypt, where Bast in cat form was goddess of the home, the domesticated cat, protector of the fields and home from vermin infestations, and sometimes took on the warlike aspect of a lioness. The first domesticated cats may have saved early Egyptians from many rodent infestations and likewise, Bast developed from the adoration for her feline companions. She was the daughter of the sun god Ra and played significant role in Ancient Egyptian religion. It has been speculated that cats resident in Kenya's Islands in the Lamu Archipelago may be the last living direct descendants of the cats of ancient Egypt.
Several ancient religions believed that cats are exalted souls, companions or guides for humans, that they are all-knowing but are mute so they cannot influence decisions made by humans. In Japan, the Maneki Neko is a cat that is a symbol of "good fortune". While in Islam there is not a sacred species, it is said by some writers that Muhammad had a favorite cat, Muezza. It is said he loved cats so much that "he would do without his cloak rather than disturb one that was sleeping on it".
Freyja — the goddess of love, beauty, and fertility in Norse mythology — is riding a chariot driven by cats.
Nine lives
It is common myth that cats have nine lives, in some cultures it is seven. This myth is believed to be true because cats are supple and swift creatures which helps the cat get out of situations that would be fatal for other beings. Also lending credence to this myth is that falling cats often land on their feet because of an inbuilt automatic twisting reaction and are able to twist their bodies around to land feet first, though they can still be injured or killed by a high fall.
http://en.wikipedia.org/wiki/Cat#History_and_mythology
KITTY QUEEN
SARASWATI; THE GODDESS OF LEARNING AND FINE ARTS
Saraswati: Diosa de la sabiduría y el arte.
Hansa or a swan, in our religious culture and arts, is widely regarded as the most essential being: that is sould or the central core of our inner consciousness.
From the book: "Popular Deities, emblem & images of Nepal by Dhuirba K. Deep, pag. 45 - 46. (Nirala series-25).
SARASWATI; THE GODDESS OF LEARNING AND FINE ARTS
ONE - MONAD
Monism is the metaphysical and theological view that all is one, that there are no fundamental divisions, and a unified set of laws underlie nature.
The origins of the term and understanding for the term Monad historically have their roots in the Hellenic philosophical teachings of Pythagoras.
ONE - MONAD
EL TEMPLO DE KUKULKAN
Also referred to as "El Castillo" (The Castle), the Templo de Kukulkan (Kukulkan's Temple) is the main structure at the Mayan ceremonial center of Chichen Itza.
Recently named one of the New Seven Wonders of the World, this amazing building is in fact a computer made of stone, for the Mayan scientists, mathematicians and astronomers applied all their vast knowledge in its structure.
This angle I present on this picture is the one where the Equinox phenomenon known as "The Descent of Kukulkan" takes place both for the spring and the fall.
http://en.wikipedia.org/wiki/El_Castillo%2C_Chichen_Itza
EL TEMPLO DE KUKULKAN






