The 18th century BCE Akkadian Atra-Hasis epic, named after its human hero, contains both a creation myth and a flood account and is one of three surviving Babylonian flood stories. The oldest known copy of the epic tradition concerning Atrahasis can be dated by colophon (scribal identification) to the reign of Hammurabi's great-grandson, Ammi-Saduqa (1646–1626 BCE), but various Old Babylonian fragments exist; it continued to be copied into the first millennium. The Atrahasis story also exists in a later fragmentary Assyrian version, first having been rediscovered in the library of Ashurbanipal, but, because of the fragmentary condition of the tablets and ambiguous words, translations had been uncertain.
W. G. Lambert and A. R. Millard, Cuneiform Texts from Babylonian Tablets in the British Museum, London (1965) published many additional texts belonging to the epic, including an Old Babylonian copy (written around 1650 BCE) which is our most complete surviving recension of the tale. These new texts greatly increased knowledge of the epic and they served as the foundation for the first English translation of the Atrahasis epic in something approaching entirety, by Lambert and Millard (Atrahasis: The Babylonian Story of the Flood, Oxford, 1969). A further fragment has been recovered in Ugarit.
Tablet I contains a creation myth about the Sumerian gods Anu, Enlil, and Enki, gods of sky, wind, and water, "when gods were in the ways of men" according to its incipit. Following the casting of lots, heaven is ruled by Anu, earth by Enlil, and the freshwater sea by Enki. Enlil assigned junior divines to do farm labor and maintain the rivers and canals, but after forty years the lesser ones rebelled and refused to do hard labor. Instead of punishing the rebels, Enki, who is also the kind, wise counselor to the gods, suggested that humans be created to do the work. The mother goddess Mami is assigned the task of creating humans by shaping clay figurines mixed with the flesh and blood of the slain god Geshtu-e, "a god who had intelligence" (his name means "ear" or "wisdom"). All the gods in turn spit upon the clay. After ten months, a specially made womb breaks open and humans are born. Tablet I continues with legends about overpopulation and plagues. Atrahasis is mentioned at the end of Tablet I.
Tablet II begins with more overpopulation of humans and the god Enlil sending first famine and drought at formulaic intervals of 1200 years to reduce the population. In this epic Enlil is depicted as a nasty capricious god while Enki is depicted as a kind helpful god, perhaps because priests of Enki were writing and copying the story. Tablet II is mostly damaged, but ends with Enlil's decision to destroy mankind with a flood and Enki bound by an oath to keep the plan secret.
Tablet III of the Atrahasis Epic contains the flood story. This is the part that was adapted in the Epic of Gilgamesh, tablet XI. Tablet III of Atrahasis tells how the god Enki warns the hero Atrahasis ("Extremely Wise") of Shuruppak, speaking through a reed wall (suggestive of an oracle) to dismantle his house (perhaps to provide a construction site) and build a boat to escape the flood planned by the god Enlil to destroy mankind. The boat is to have a roof "like Apsu" (a fresh water marsh next to the temple of Enki), upper and lower decks, and to be sealed with bitumen. Atrahasis boards the boat with his family and animals and seals the door. The storm and flood begin. Even the gods are afraid. After seven days the flood ends and Atrahasis offers sacrifices to the gods. Enlil is furious with Enki for violating his oath. But Enki denies breaking his oath and argues: "I made sure life was preserved." Enki and Enlil agree on other means for controlling the human population.
The Epic of Gilgamesh is an epic poem from Ancient Mesopotamia and is among the earliest known works of literary fiction. Scholars believe that it originated as a series of Sumerian legends and poems about the mythological hero-king Gilgamesh, which were gathered into a longer Akkadian poem much later; the most complete version existing today is preserved on 12 clay tablets in the library collection of the 7th century BCE Assyrian king Ashurbanipal. It was originally titled He who Saw the Deep (Sha naqba īmuru) or Surpassing All Other Kings (Shūtur eli sharrī). Gilgamesh might have been a real ruler in the late Early Dynastic II period (ca. 27th century BCE).
The essential story revolves around the relationship between Gilgamesh, who has become distracted and disheartened by his rule, and a friend, Enkidu, who is half-wild and who undertakes dangerous quests with Gilgamesh. Much of the epic focuses on Gilgamesh's thoughts of loss following Enkidu's death. It is about their becoming human together, and has a high emphasis on immortality. A large portion of the poem illustrates Gilgamesh's search for immortality after Enkidu's death.
The epic is widely read in translation, and the hero, Gilgamesh, has become an icon of popular culture.
http://en.wikipedia.org/wiki/Atra-Hasis
http://en.wikipedia.org/wiki/Epic_of_Gilgamesh
